I'm Ari, Junior, Political Science/Art History, History Minor. Born and Raised in NYC. I don't deal with bullshit. Cool Beans 8)
♪ Well, I’m hot blooded, check it and see
I got a fever of a hundred and three
Come on baby, do you do more than dance?
I’m hot blooded, I’m hot blooded
You don’t have to read my mind, to know what I have in mind
Honey you oughta know
Now you move so fine, let me lay it on the line
I wanna know, what you’re doin after the show ♪
- at the start of the semester: i'm gonna get a 4.0 gpa
- at the end of the semester: perfection is the disease of a nation...pretty hurts, pretty hurts
Flake with drawing of Osiris seated on his throne within a shrine. Egyptian Ptolemaic Period, 305- 30 B.C.E.
Even if he were not labeled by the hieroglyphs at the right (“Osiris, the great god”), this deity would be easy to identify. Osiris, lord of the underworld, is always shown as a mummy, often wearing the White Crown of Upper Egypt adorned with two feathers of Ma’at (cosmic harmony). Here the god holds his characteristic crook and flail and is seated in a shrine or under a canopy.
Though the almond eye, long nose, and full lips suggest a New Kingdom date (Dynasties XVIII–XX, circa 1539–1070 B.C.), many other details indicate that the sketch was made in the Ptolemaic Period. The meticulous detail, manifest in the delineation of the ear, the eye, the plaited beard, the nostril, the thumbnails, and the feather pattern of the throne, is diagnostic for Egyptian drawing and relief of the fourth through first centuries B.C.